The Silence Wind, Invisible Waves is an exhibition portraying the occupancy of chaos, power influence, and possession within the exhibition. It is the fundamental concept of which Ruj Greigarn initiates equality towards perception and sensation by deeply examining power and violence amidst political, economic, and social changes. While those various forms of power and domination are invisible, internalising oppression causes emotional contagion among people. The excessive abuse of power haunts people to live with such terror experiences as explicit memories. The act of violence is recalled in one's brain, and people converted the existence of violence into a more permanent form for later reference through articles, books, short stories, and literature. Those things constituting a piece of evidence about such hurtful action are passed along from one to another in the group of people who dare to resist domination. All written stories of invisible power and its brutality can be traced back to one authority. In this exhibition, every brushstroke, splash of colour, shape, and line that the artist drew, obsessively reworked, pressed over, and put onto a surface with his brushes weighs heavily through senses of feeling. Heaviness. Oppressive. Those elements that appear in the art pieces are inspired by the act of drawing/painting/scratching on the surface as a form of expression. Another interpretation behind the artistic characteristic is closely related to how they are viewed as a form of resistance, questioning, interrogating, and demolishing the cult of personality or the cult of a leader. What has been successfully made to create an idealised image of God-King by authorities in Thailand is also within the scope. 

Ruj began his experimental painting from 2021-2022 to investigate and record violent scenes from various sources. He has sought to understand the original moment of the events and to shed light on the new possibility of criticism, including the new way to express political beliefs. The invisible structure introduced within the showcase symbolises the power of the territorial ruler flowing within any of its territories. While residents of a territory depicted in this exhibition are portrayed as bodies losing abilities to move due to oppression, dictation, and rulers' control, the artist considers himself as one of those constantly repressed bodies. So he attempts to breach — seeking ways to be heard — by finding implicit ways to express himself through printmaking, photographs, and installation art. The various forms of expression that Ruj has investigated are his attempt to help the non-dominant group portrayed as bodies to break out of the territory. To achieve "Freedom," what he truly believes exists. The elements appearing throughout the exhibition consist of story-telling and the artist's experiences. Ruj, as a human and a national citizen, has his right and voice like everyone else in a place where our voices are less than the wind. Weak and meaningless. 

The exhibition is showing on two floors. The artist’s intention is to present the cause-and-effect relationship between each floor’s demonstration. To illustrate, the outcome events showcased on the first floor are directly linked to the causes of violence exhibited on the second floor. On the first floor, Ruj intends to demonstrate the results of his recollection and interpretation of violent incidents in his home country. His works invite us to investigate the structure of power, as power does not simply speak of an absolute ruler. It is shown that an invariant theory is connected with the codependent groups with authority to gain control and maintain being at the upper echelon of command. On the second floor, the artist has gathered a series of the evident violent acts that lead to the possession of power through abstract painting, printmaking, and photographs. Ruj believes that his creations shall create continuous effects on the past awareness of the people towards the acts of violence in the nation — where the same groups of power holders repeatedly hand people cruelty.

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